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Paper · arXiv 2401.14066

CreativeSynth: Creative Blending and Synthesis of Visual Arts based on Multimodal Diffusion

Nisha Huang, Weiming Dong, Yuxin Zhang, Fan Tang, Ronghui Li, Chongyang Ma, Xiu Li, Changsheng Xu

10 upvotesJanuary 25, 2024arXiv 预印本
AI 摘要

CreativeSynth, a diffusion-based framework with multimodal attention, enhances artistic image editing by accurate style and content manipulation while preserving aesthetic quality.

diffusion modelmultimodal inputsmultitaskmultimodal featurescustomized attention mechanismsinversionreal-time style transferoriginal model parametersfidelityaesthetic essence

Abstract

Large-scale text-to-image generative models have made impressive strides, showcasing their ability to synthesize a vast array of high-quality images. However, adapting these models for artistic image editing presents two significant challenges. Firstly, users struggle to craft textual prompts that meticulously detail visual elements of the input image. Secondly, prevalent models, when effecting modifications in specific zones, frequently disrupt the overall artistic style, complicating the attainment of cohesive and aesthetically unified artworks. To surmount these obstacles, we build the innovative unified framework CreativeSynth, which is based on a diffusion model with the ability to coordinate multimodal inputs and multitask in the field of artistic image generation. By integrating multimodal features with customized attention mechanisms, CreativeSynth facilitates the importation of real-world semantic content into the domain of art through inversion and real-time style transfer. This allows for the precise manipulation of image style and content while maintaining the integrity of the original model parameters. Rigorous qualitative and quantitative evaluations underscore that CreativeSynth excels in enhancing artistic images' fidelity and preserves their innate aesthetic essence. By bridging the gap between generative models and artistic finesse, CreativeSynth becomes a custom digital palette.

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